Cluetrain
Notes by Dr.
Selia Karsten
This is an excellent book especially for those who are interested
in Marketing and eBusiness - I've given some
excerpts from the book, chapter by chapter, to get you (my
eCommerce students) excited about it . I hope you will get
your own copy or at least check it out of the library.
The Cluetrain Manifesto: the end of business as usual - RIck
Levine, Christopher Locke, Doc Searls, David Weinberger, Perseus Books,
Cambridge Mass. 2000 ISBN 0-7382-0244-4
Internet Apocalypso - Christopher Locke (Ch 1)
"From hopelessly romantic meditations on favorite cats, to screeds
so funny you'll blow coffee out your nose, to collective code for alternative
operating systems: we're all expressing ourselves in a new way online -
a way that was never possible before, never before permitted. And make
no mistake, speech once freed is a powerful drug. Get used to it;
it ain't going back in the box. What does this mean for electronic
commerce? Take a wild guess. We're not those neatly predictable
consumers business remembers from yesterday. We got a taste of something
else, and we like it. We'll make it ourselves, and defend it with
a ferocity that might surprise most businesses. It you're a business,
believe us: it's a surprise you'd just as soon skip. We're in the
market for lots of things, but the market we see ourselves in is more like
that ancient marketplace. Tell us some good stories and capture our
interest. Don't talk to us as if you've forgotten how to speak.
Don't make us feel small. Remind us to be larger. Get a little
of that human touch." p34
"So the bottom line is: you can play in the Internet headspace
as well as anyone.
There are just three conditions: (1) you have to let your people play
for you, since there's really nobody else at home; (2) you have to play,
not something more serious and goal-oriented; and (3) related tot eh previous,
you have to have at least some tenuous notion of what "headspace" might
mean. It's not in the dictionary. But you can ask around.
Get a general hang of the thing. If you figure it our, we'll think
you're cool and consume mass qualities of all your wonderful products.
See how easy life can be when you loosen up a little? You laugh,
we laugh with you. Either way, we live." p37
The Longing - David Weinberger (Ch 2)
"We don't know what the Web is for but we've adopted it faster than
any technology since fire." p43
"While the create-a-home-page problem proved too easy to solve
to support a software industry, there was something canny about the commercial
focus on the creation of home pages. Since you could just as adequately
view the Web as a huge reference library, why did home pages seize our
imaginations? Because a home page is a place in which we can express
who we are and let the world in. Meager though it may be, a home
page is a way of having a voice." p 43
Talk is Cheap - Rick Levine (Ch. 3)
"Authenticity, honesty and personal voice underlie much of what's
successful on the Web. Its egalitarian nature is engendering a renaissance
in personal publishing. We of genus Homo are wired to respond to
each other's noise and commotion, to the rich, multi-modal deluge of data
each of us broadcasts as we wade through life. The Web gives us an
opportunity to escape from the bounds imposed by broadcast media's one-to-many
notions of publishing. Nascent Web publishing efforts have their
genesis in a burning need to say something, but their ultimate success
comes from people wanting to listen, needing to hear each other's voices
and answering in kind." - p. 51
"Chat is CB on steroids. It's immediate and unwashed. If you can't
type and think at the same time you're in deep weeds. We can't broadcast,
can't message, cant spew corporate pabulum in a chat environment.
If business could successfully integrate chat into its marketing universe,
companies would be on their way to shaking off some of the mass media shackles
separating them from customers." - p61-2
An e-mail from Kimberly Peterson to cluetrain.com
"I've spent the last two years "bringing fire to the cavemen" in the
corporate world (specifically fashion). They still don't understand
the difference between a server, a browser, and content, but they understand
that they have to be online. They think that a computer is just like
a television. That you can just scan some glossy print ads and throw
them up on a site. No one cares about usability. No one cares
about being real.
They're scared that if they don't make the jump to internet marketing/selling
that they'll lose their customer loyalty. They're scared that if
they do make the jump to Internet marketing/selling that they'll lose their
customer loyalty. They ask themselves: "Is this really us?
Is technology part of our lifestyle/branding concept? " They say
they don't market to that demographic, but they know deep down inside that
if they don't soon they won't have anyone to market to.
Sometimes I just want to scream. " p 72
Markets are Conversations - Doc Searle (Ch4)
"That's the awful truth about marketing. It broadcasts messages
to people who don't want to listen. Every advertisement, press release,
publicity stunt, and giveaway engineered by a Marketing department is colored
by the fact that it's going to a public that doesn't ask to hear about
it." p 79
"We know the real purpose of marketing is to insinuate the message
into our consciousness, to put an axe in our heads without our noticing.
LIke it of not, they will teach us to sing the jingle and recite the slogan.
If the axe finds its mark we toe the line, buy the product, and don't talk
back. For the axe of marketing is also meant to silence us, to make
conversation in the market as unnecessary as the ox cart. ....When you
have the combined weight of two hundred years of history and a trillion-dollar
tide of marketing pressing down on the axe in your head, you can bet it's
wedged in there pretty good. What's remarkable is that now there's
a force potent enough to actually start loosening it." p80-1
"The Cluetrain corollary: the level of knowledge on a network increases
as the square of the number of users times the volume of conversation.
So, in market conversations, it is far easier to learn the truth about
products being pumped, about the promises being made, and about the people
making those promises. Networked markets are not only smart markets,
they're also equipped to get much smarter, much faster, than business as
usual." p 83-4
"If you want to take your first baby step towards entering the market
conversation, torch any brochureware on your site. At best your networked
market views it as a speed bump, at worst as an insult.
This doesn't mean that you should put up a site that consists of nothing
for the facts expressed in Times Roman text (although useful facts are
a great place to start). Your site needs to have a voice, to express
a point of view, and to give access to helpful people inside your
corporation. Replace the brochures with ways to ignite dialogues.
Not only do your customers want to talk with real people inside your organization,
but your employees are desperate to talk with real customers. They
want to tell them the truth.
They will in any event, because your wall of brochures is as solid as
a line in the sand." p94
The Hyperlinked Organization - David Weinberger - Ch5
"Suppose you removed the table from your conference room and replaced
the seats with armchairs. Suppose you turned it into a living rom
How much would this affect your meetings? That's how much your meetings
are about power, not communication." p 146
"We don't need more information. We don't need better information.
We don't need automatically filtered and summarized information.
We need understanding. We desperately want to understand what's going
on in our business, in our markets. And understanding is not more
or higher information. If you want understanding, you have to reenter
the human world of stories. If you don't have a story, you don't
have understanding. From the first accidental wiener roast on a prehistoric
savanna, we've understood things by telling stories. I don't mean stories
heavy with plot; I mean narratives that string events together in time
and show them unfolding." 148-9
"We live in stories. We breathe stories. Most of our best conversations
are short stories. Stories are a big step sideways and up from information:
-
Unlike information, they have a start and a finish. The order counts
a lot.
-
They talk about events, not conditions.
-
They imply a deep relationship among events, a relationship characterized
overall as "unfolding" as if the end were present in the beginning - as
of course it almost always is (as was foretold, in a fractally recursive
sense, by Aristotle at our culture's beginning).
-
Stories are about particular humans; no substitutions allowed.
-
Unlike a set of economic forecasts or trends analysis, they do not pretend
to offer the certainty that life will continue to work this way. (On the
other hand, the story is more likely to be correct than the forecast because
it takes all oaf our current understanding of the world to accept a story.)
-
Stories are told in a human voice. It matters who's telling it.
So Stories are not a lot like information. But they are the way we
understand." p 151
Seven Ways to Tell Stories:
1. Ban the opening joke. Begin your next Power Point presentation
by saying, "Let me tell you a story..." and then recount what made
the market the way it is, what got your company to come up with such
an incredible product, and what obstacles particular customers faced and
over came by using your product.
2. Make sure the forms you use to "collect knowledge" have big empty
boxes in them so the story can be told.
3. Every meeting with a potential partner, every exciting sales meeting,
every important encounter with customers can best be told as a story. Do
so.
4. Turn your next white paper into a narrative.
5. Collect the stories of your business and publish them on an intranet
site.
6. Reward the tellers of good stories. They're the people everyone's
listening to anyway.
7. Rewrite your mission statement as a corporate story. In fact,
wouldn't a narrative version of the annual report help the company more
than the usual hearty prose and canned snaps of happy employees? p152
"Errors are how assumptions become visible. And there is nothing
more valuable than a newly discovered assumption, because only then can
you see what's holding you back and what could propel you forward." p154
"Being wrong is a lot funnier than being right. The right type
of laughter - laughter at what the mistake reveals about our situation
rather than laughter aimed at a person who dares to be human - is enormously
liberating. In fact, laughter is the sound that knowledge makes when
it's born." p155
"No one's asking you to decide if you want to run your business using
the Web. It's a done deal. The Internet has already set expectations
for how connections ought to work. The gulf is there; a gulf caused,
ironically, by the abundance of connection.
The Web is the sum of these connections. It isn't a medium, a
new type of intercom, or an invention like really cool wristwatch walkie
talkies. It is a broad, open place that lets everyone touch everyone
else and touch every digit of information by twitching a wrist and tapping
a single finger.
What connects you to me to everyone else are Web pages and and e-mail
and chat and discussions. These are all artifacts of human voice.
Each is deliberately created and put forward as our public self, the self
that is closest to us and paradoxically, least knowable to us. " p158
"Then the Web crept into our offices under false pretenses. We
thought it was a library of information. Then we thought it was a
publishing medium. Then we thought it was a toy or a dangerous distraction.
But in fact it is a conversation of a new type, free of the need to get
permission from Dad and his army buddies.
New types of connections. The heart flowing into other hearts.
A new rhythm. A new causality. A new understanding of power.
Conversation that understands that it isn't a distraction from work, it's
the real work of business.
The Web is hitting business with the force of a whirlwind because it
is a whirlwind. The closely held, tightly packed, beautifully tooled
pieces are being pulled apart. They are rebinding themselves in patterns
determined by the conversations that are occurring in every conceivable
tone of voice.
The character of business is becoming the same as the character of the
Web - an explosion reconfigured by the intersection of hearts." p 159
EZ Answers by Christopehr Locke and David Weinberger (Ch 6)
"Business is being transformed, but not by technology. The Web is simply
liberating an atavistic human desire, the longing for connection through
talk. That's the one constant throughout our evolution, form caves
to mud huts to open-air bazaars, city-states to empires, nations, interdependent
global powers. We've always conversed, connecting to the people
of our world in our authentic voices. We connect to ourselves the
same way; that the mystery of voice. " p164
The Cluetrain Hit-One-Outta-the-Park Twelve Step Program for Internet
Business Success
1. Relax
2. have a sense of humor
3. Find your voice and use it
4. Tell the truth
5. Don't panic
6. Enjoy yourself
7. Be brave
8. Be curious
9. Play more
10. Dream always
11. Listen up
12 Rap on
p170-1
LINKS
www.cluetrain.com - this is
the website and source of more information
Your Customer Isn't An Idiot - Retail On the Web: Getting it right
- Guidelines from the trenches: some lessons we learned on our way to launching
www.hatfactory.com.
Other links mentioned in the book.
hyperorg.com
panix.com/~clocke
rageboy.com
mancala.com
personalization.com
www.chrisworth.com
www.hartscientific.com
www.glenns.org
May 8, 2001
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